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Cutting Of GemstonesThere are four basic way and style of gem cutting: tumbling, Cabochon Cutting, faceting and carving. Including there is a number of ways to assemble gem stones into mosaic like patterns, (called intarsia,) boxes, etc. Gems are generally cut to bring out their natural color and its brilliancy and also to remove flaws. In the cabochon cut, the upper surface of the stone is smoothed and then rounded into a simple curve of any degree of convexity; the lower surface could be concave, convex, or flat. All the remaining cuts have flat facets. In the table cut, the facets of the natural octahedron of the diamond that are ground to smoothness and polished; one facet, the table, is ground much larger than any other and always made the top of the gem, while the opposite facet, the culet, is left quite small. The rose cut consists of a flat base and (usually) 26 triangular facets—resembling a cabochon with facets. Tumbling• The simplest form of gem cutting is tumbling. This is where the
rough material is put in to revolving barrel with its abrasives. Progressively
finer abrasives are used, until a polish is then obtained. This process
closely resembles what happens to rocks in a stream and on the beach,
except that the level of polish is much higher. Cabochon Cutting• Cutting en cabochon, and as it is more commonly known, cutting
cabs, is probably it is the most common form of gem cutting. Cabs are
gems that are cut with a flat bottom and a curved or then domed top. If
you can envision an opal or a piece of turquoise, you are looking at a
cab. Faceting• Faceting is the style of cutting, which has the greatest profit
potential. If you could envision a diamond, you are looking
at a faceted gem. The surface of a diamond is fully covered with several
geometrically arranged, flat surfaces. Each of these flat surfaces is
known as facet. The gem is faceted, by a faceted on a faceting machine.
This is also where we get the expression, "a multifaceted question." Carving• Carving is the most challenging of the lapidary arts and there
are very few recognized experts in the field. To be successful, one should
have a distinctive artistic sense and a thorough understanding of the
principles of lapidary. Unlike working in its wood and metal, the materials
present definite limits as to what can be done.
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